Billion Year Old Carbon


We are stardust
We are golden
We are a billion year old carbon
and We need to get ourselves back to the garden.

Joni Mitchell, Woodstock

Isn't this perfect Memento Mori stuff? I was listening to the radio--and heard this lyric and thought I should capture it now. Love it.Am working away on what does the spirit look like when its released. Does it look like the puritan spirit effigy? does it have a face? wings? Does it fly as in the analogies we hear in literature, in music, in the religious tradition? Can a spirit see? Or does it just exist? Does it leave us? or stay? Do they watch us? guide us? Do they have choices? Are they the spirits that stay your hand or prevents mishaps or hurts? Do they emerge complete or do they evolve, change and grow when they are separated from the physical?

More later>>

Brrrr.


Was feeling a bit rough around the edges yesterday and spent it horizontal. I apologize for no entry--but maybe you wouldn't have wanted one as the cranky level was pretty high. It is frigid here. I have all the studio doors closed and actually turned up (!!) the heat...and honestly, I think the bunnyfur hat with flaps over my earphones is going to have to happen. And the fingerless gloves. It is hugely embarrassing looking..but hey. Its me and the home team and Erich. They have seen it all.

Living in a big old house is always teaching you something. Today's thought is, if you are fantasizing that the folks in 1848 were spending their winters wearing muslin frocks you have another thing coming. This is a big brick house. Should have some insulative qualities. Underline should. Our heating system transcends anything they had. We have brand new storm windows and caulking. We have storm doors and weather breaks. And...there are never too many layers of fleece, hats, scarves. Brr.

Was fascinated to learn about the Sacred Heart which was in the stained glass at the Catholic church along with emblazoned on the plaster statue of Jesus. I always thought it was Latin/Spanish and it isn't. Wiki clarifies:

The Sacred Heart is a religious devotion to Jesus' physical heart as the representation of the divine love for humanity.

This devotion is predominantly used in the Roman Catholic Church and also used in the Anglican Church, particularly among Anglo-Catholics. It also stresses the central Christian concept of loving and adoring Jesus. The origin of this devotion in its modern form is derived from a French Catholic nun Marguerite Marie Alacoque, who said she learned the devotion from Jesus in visions.


The Sacred Heart is often depicted in Christian art as a flaming heart shining with divine light, pierced by the lance-wound, surrounded by a crown of thorns, and bleeding. Sometimes the image is over Jesus' body with his wounded hands pointing at the heart. The wounds and crown of thorns allude to the manner of Jesus' death, while the fire represents love.

I am going to draw a bunch. It is going to fold into Memento Mori. I just need to figure it out. --Love works. Divine love for humanity works. Works outside of the catholic tradition. Actually, Love for Humanity is needed always and forever. However, how are my thoughts of the puritans going to bump up against the papist tradition? Can the baroque coexist with the spartan? Can a tradition that shuns imagery (puritans) bump up against one of the centers/inspiration for imagery and representations? Maybe a little black ink can smudge in the grey areas? What do you think? I don't have any idea. Just like the stuff.

The whole catholic service was so theatrical. So about symbols and explaining with sound, smells and words, those abstractions that one cannot entirely fathom or grasp. Those sounds and smells and words are clues to the ephemeral, spiritual and not understandable. Those are the clues that confirm to those with faith that the transition has happened from one state to the other, confirmation of the tenets of their belief, confirmation of the spiritual. 

I grew up in the Presbyterian church devoid of embellishment in faith. However, the detail added by the architecture, windows and even the vestments transcended that of this simple catholic service. There was far more theatre, but it focused on the works of man and not the bigger picture--those of God. I mean, there was more attention brought to the offering being collected and brought to the altar than that of communion...with 12 deacons of the church dressed in wool cutaways complete with grey pocket squares, who would collect money in sterling silver dishes and walk in six pairs of men, pretty much in lockstep to lay it upon a sacred spot, the place where the sacrement was prepared was pretty obscene. And while the moneychangers were collecting in the temple, the extrordinarily robust pipe organ with pipes in the front of the church and in the back would groan and trumpet, swell and then restrain , incidental music that was either hard to follow or too big for the room...drawing attention to itself versus pushing for an understanding or reflection from the congregation. Phooey. If you like that kind of community, its perfect for you. For me, it doesn't move the needle towards a better relationship with a bigger idea and power. Its more about the coffee break and pagentry.

But isn''t this what most people expect?

Towers of Silence


I was reading about funerary traditions and ran into the Towers of Silence, the way the Zoroastrians dealt with their dead. Wiki says:

Towers of Silence are circular raised structures used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common dakhma or dokhma (from Middle Persian dakhmag) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but which today denotes an ossuary. In the Iranian provinces of Yazd and Kerman, the technical term is deme or dema. In India, the term doongerwadi came into use after a tower was constructed on a hill of that name. The word dagdah appears in the texts of both India and Iran, but in 20th century India signified the lowest grade of temple fire (cf. Fire temple).

The term "Tower of Silence" is a neologism attributed to one Robert Murphy, who in 1832 was a translator of the British colonial government in India. It is not the literal meaning of "Avestan (sic) dakhma" as suggested by the Encyclopædia Britannica. While the stem dakhma- does exist in the Avestan language, its meaning there is not conclusively established. The contexts indicate a negative connotation and that it does not signify a construction of any kind.

Totally out of our western context. Fascinating to me.

Saying goodbye.

We had the fortune to attend a friend's father's funeral this morning. It was a very beautiful, pared back catholic service with all the traditions (referred to by my mother as the "bells and smells") highlighting and illuminating the symbolism of the faith, the spiritual and all of those things abstract but tangible during these times. I was very moved to be part of this passage of this quiet man whose strength in his faith, belief in his spiritual journey, a rock for his family and how all of this was celebrated in a manner that honored his life. The priest brought such a focus on the liturgy the way he read and sang it--focusing on the transformation of the wine into blood, and the bread into Christ's body, highlighting the sanctity of using incense and holy water to bless the body and spirit of the man who has gone. The readings were significant as was the homily--with the priest linking the way this man lived his life in his faith to Peter in a reading from the Bible. It was poetic the way he brought the broad and philosophical down to the individual--but did it he did with a gentle grace. I was touched in the almost shaker like simplicity of the service, the absolute heart that was prevalent in the church and the sense of peace in his transition. It was memorable. I am blessed to have been able to be there.

May he rest in peace.

IF: Plain

Works of imagination should be written in very plain language; the more purely imaginative they are the more necessary it is to be plain.
Samuel Taylor Coleridge (1772 - 1834)

Keep it simple. Plain. In black and white. And then, in keeping it plain, let the imagination flow. Boundaries are sometimes the best incentive to push your limits and thinking.

Inky Lips Press

About Inky Lips Press

A Texas original, Inky Lips Letterpress is owned and operated by Casey McGarr; steeped in design and love for the smell of ink and the sound of a flatbed letterpress turning over and over. No other press in the Dallas area offers what Inky Lips Press can which is original work hand-carved and cranked out on flatbed letterpresses and spun on the Windmill. Inky Lips Press has been working hard at creating invitations, announcements and posters, but welcome any projects that will keep the dust off the type and the press in motion.

These guys run beautiful split font work. They will carve original lino blocks and they are some of the guys that do printing for the fabulous Hatch Show Prints. Check em out if you are wanting to do something letterpress and funky. Seems they have a handle on that.Hatch Show Print Book at Amazon>>
Blurbism has pictures of Hatch that send shivers down my spine>>

what's happening? is there something in the skies?

Ithaca Journal just sent me a note asking for a portrait (immediately) as they are running a "Local Creators" profile of me for tomorrow's paper. Then, I got this very flattering note from a student at Purdue doing a paper on an illustrator (their teacher told them to go to the Ispot to get them started). My thesis was a good starting point for her. What's happening. The water is moving!

You can click the article to see it a bit bigger>>

Tiki Thursday


Big Tiki party at the Corning Museum of Glass tonight with King Kukulele, Tiki- style glassmaking with FireMonkey Glass (aka Marshall Hyde) and music by Fisherman's Vibraphonic Tiki Orchestra. For a cold day--but inconsequential weather, should be a fun time with a ton of folks. If you are local, its worth the trip.

I am up to my ears in very boring work...and hope to wrap it up. Must go to Corning and back for teeth..so Tiki is out. Twice is too much. And the snooze cruise needs to be finished. So, focus will be needed.

Light in Winter this weekend in Ithaca.At a glance schedule here>>. We may go see Cyro Baptista and Beat the Donkey outside of buying the full passes this year. Unfortunately, the event last year dragged and felt very much like the year before--so we may go a la carte with music and speeches. There is snow and everyone has passes (except me--I have the Pool of Dilemma) so skiing might be an option.

Gotta wrap up these odds and ends. More later>>

Enough of the Yap


A little chat with a relative made me muse in the Pool of Dilemmas about the coulda, shoulda, wouldas. This person was griping that they never had the opportunity to express themselves, to develop themselves creatively. This is a person who spent their life making choices and spending their time developing social opportunities, spending personal and creative capital to be noticed to be invited to the right events to associate with the people they wanted and still want to be friends with. This is a person who uses any opportunity to be the center of attention and whenever the light is pointed on someone else, they throw up a mirror to make the reflection of the other person shine on themselves. You know what I think of this? Action. Action speak louder than the coulda, woulda, shouldas. If you want to express yourself, or to develop yourself--then do it. One word, one sketch, one diary entry at a time. Stop the talk. Start the work. Now. Stop talking about missed opportunities. Start making opportunities..even small ones.

Change is good. Continual change is better. You will have to take risks...even small risks to get the catherine wheel of change to start. With one small risk you can move to greater ones. Soon, you are leaning over the edge, peering into abyss and proceeding with happiness, not fear.

And oh, did I say you are never too old to start? This crap of how "we were never allowed " or "we were never encouraged" has a verb that is past tense. If you want to live in the past, do so...and live with the consequences. Age is no reason to not learn something new, try something new to get out of your box. Stop saying no one let you. You let you. The walls are as high as you want them cause guess what?--you make them (most of the time). If something seems impossible--just chunk it out or change your medium--just keep going. Action. Work begets progress.And progress begets change. Change begets opportunities, new ideas, new friends, new interests. New world. We all change with time (physically, that is). Can't we change emotionally and intellectually in a way that takes on the youth we have lost? I think we should all be "working out" with our brains as well as our brawn. But we all need to be personally responsible for that aspect of our growth. No One is going to do it. The only one is you. Own it but go for it.


You don't even need to leave your desk. You just have to put the key in the ignition. And then, turn it.

Andrew Carnegie's axiom was "My Heart is in the work".  So is mine.

Were you thinking of having your picture painted?


Maopost.com / Chinese propaganda posters

They say about themselves:
Maopost is a site dedicated to China propaganda posters. Created by two enthusiastic collectors, Pierre Lavigne and Pierre Budestschu, it has recently been enhanced with a unique concept: the site commissions personalized oil paintings in which a real person's portrait is seamlessly incorporated into an otherwise faithful reproduction of a classic propaganda poster. Other projects, which endow the propaganda imagery with a humorous and creative twist, are in the pipeline.

Check out the section that is headlined " Your portrait oil painted like a Chinese propaganda poster">>
For as low as $169. bucks you can get your face painted into a preexisting oil painting rendered from propaganda poster art. They come in two sizes-- 24" x 15" for $169 and 32" x 21" for $269. You can select a background from an edited selection or if nothing there appeals to you, you can choose from the entire Mao Collection of 1500 plus posters!

Think of the fun you could have! Or better yet, think of this for a themed Annual Report (put your chairman's picture here?). You could really go nuts for less than $2,000. Or for the holidays? Your thinking?

Not holding my breath


Churning away on the paying work. May have a window of time to do the personal stuff (more Toughcats I think)--tonight as K has play practice until 9 and our poor baby boy has more ELAs tomorrow, which is a trial for him. Got seven logos proposals to the Music Boosters, a parent group at our school. I did these logos as a way to get out from being a member of the food service select (this is the way they raise money)- Makes me itch as there is a chance this little simple project, a bit of do gooding might boomerang. I could end up dazed and confused. We will wait and see. I got a little prickly (thank goodness I had time in the Pool of Dilemmas at the House of Health to work it out prior to picking up the phone. I should assume anything for a group is going to be problematic--and know this is not going to change when I raise my hand and volunteer. I am not going to hold my breath over this one.

I was thinking about the time we spent in California--and the 125 pictures I took each day. You know, that sharpens up what you see--regardless of whether it is a new environment or what we know and love. I was looking at the landscape (which was white and stark today)) and thinking about the way things look. I need to try to take at least 50 shots a day to see my known world a bit differently. At least, I need to try to do this.

Projector is going on now.
More later.

Noodles


I think there is a stylistic link between what Leger does relative to the puritan spirit effigies and they way they are realized. The whimsey and looseness of Leger's women and the circus performers (with their naive placement of arms, legs etc) fits with the funny spirit heads, which in some cases are equally naive and disproportionate to that of Leger. Granted, what the brush can do against the chisle on stone is slightly different--but what with what some of the calligrapher cum gravestone designers can do...align nicely.I should try to fuse them together to see what happens. If I were Gary Kelley, I might take a leap and work them together. Gary is a fan of working art history into images/illustrations (for me, bring it on as I adore art history). It will take me a bit wider on where I have been going..but worth spending a few sketches to test the waters. Maybe a little looksee with the projector?

A few more hours needed on the second Memento Mori book. Love the new format (square--7.5" x 7.5" as it is a good shape and also its on the creamier, uncoated text paper with the good, rich blacks). I should be able to get it to Lulu by Thursday this week. Book Three began January 1 (-March 31)--so,the Hartford Texas trip noodles will be in this piece. Am giving it some thought to perhaps reconfigure the first volume to this square format so I have a stack of books when they are done.

Another idea: When we were at Art Basel Miami, there were some nice shops in the Miami Convention Center (Taschen book, Davidoff, the Cartier Foundation, and some other art book shops). One of the art book shops had mini bound portfolios with small editions of one color (black ink on cream paper) prints in a little casebound portfolio. When I say little, they were about 5" x 7"finished size. Perhaps I need to spend some time with Joe Seppi at Pioneer press to see if he can do that sort of thing. I am thinking a small portfolio of letterpress images (maybe on a luscious paper like a high rag content Rives either cream or tan?) or even some on black paper with white ink(or matte foil) as another way to get the work out. I have even thought it might be fun to try it out with a valentine?(that is letterpress imagery). Need to get rolling if that is going to happen.

Onward to a toughcat.
Later>>

Chris Conn Askew


Fox and Girl, 2007
22"x13"
available>>

Chris Conn Askew is a former tattoo artist who is coming to the fore with his illustration and personal art. There was a great article on him in Juxtapoz which inspired me to want to learn more. I love his storybooky topics that he twists using a very simple palette with strong design/line work with a simple color palette (much like tattooing). Its interesting his new work is so strongly in vertical rectangles (which is a framed shape that might morp from a tattoo arm or leg shape. His type is sublime. I would love to see some wine labels done by him...or even some exotica like absinthe advertising.

I am fascinated with these tattoo artists...either the working guys in the business and also those that stop the tattooing and segue to art. Mike Giantand Ed Hardy,Chris Conn Askew are top of mind--but I plan to do a bit more boning up on this as I love the structure of their work, the integration of color (often ancillary to the design), the line work, and the simplicity of the message. My work is evolving and this channel could give me insight with these elements. There is a cool magazine, Tattoo Artist Magazine might be a good reference in addition to the Taschen book(icon).

Off topic but exciting, Perseopolis, the graphic novel by Marjane Satrapi is a movie (art house)which has recieved a Golden Globe Nomination for Best Foreign Language Film. The books were very good--perhaps because I am a girl as it addresses a ton of women's issues, viewpoints and attitudes--but particularly expressive in her simple and strict black and white illustration. Here are some clips>>

Cleaning up some projects for Monday. Going to start the Toughcat to be paired with our old pal, the choker. More later, I hope!

Fecal Face on Shepard Fairey


Great article on Shepard Fairey at Fecal Face.com. Take a look. As part of the commentary associated with the article, Fairey comments a bit on his clothing line association, the cost of goods and why they cannot afford to be made domestically:

"as far as corporations are concerned- where are the OBEY clothes being made?
Written by rdecute on 2007-08-14 19:18:57"

From: Shepard Fairey
Date: Mon Jul 28, 2003 9:40:38 PM US/Pacific
To: Marwan
Subject: Re: Obey clothing

Marwan,
I understand your concerns. When we first formed the Obey clothing company, I inquired about making the clothes domestically. The guys I work with explained that with the exception of certain items, clothing can not be manufactured domestically at a price the "streetwear" market will bear. Secondly, the U.S. makers who are more affordable, deliver a noticeably inferior product and pay their workers less relative to the cost of living in the U.S. than the people are paid in Asia relative to the cost of living there. Unfortunately, there are far fewer people who are willing to pay more for clothing to make sure it was made under humane conditions than there are who won't buy it if it costs more than the Gap's stuff. There is an incredibly low profit margin in clothing...20% if the brand is lucky. The store(retailer) however, has a standard mark-up of 100% or even more. For example, Obey wholesales its T-shirts for $9.50 but you rarely see them in the stores for less than $22. This is because the stores know what the consumer will pay and adds on a little extra. Retail rent is usually very expensive... so this policy is frustrating, but not hard to understand. The bottom line is that clothing is a very tough business overall; I do it as a platform for my graphics, not so much as an income source. Back to the labor conditions issue. My close friend Mike who is the clothing designer for Obey has spent a considerable amount of time with our manufacturers in China. The standard of living there is decidedly lower in general, but the factory conditions where the Obey stuff is made are very acceptable and people seemed more than happy to be working there. In fact, people came from hundreds of miles away because the pay is way better than what they could find in their town. Mike has actually spent the night in the factory many times to help make sure the production items were what he wanted. He describes the set-up as similar to college dorms with private bathrooms and lounge areas with T.V's. I feel it is irresponsible to generalize about all factories in China or India. Look at the breadth of working conditions in the U.S., is it not logical that there is a range of conditions in other countries as well? I am definitely anti-exploitation and I have been given enough reassurances to feel that I can have a clear conscience. Your own conscience has to guide you.

Take care.
-Shepard

Chokers and Toughcats 2/23/2008


at Castaways. Should be really fun. The Toughcats describe themselves as "We are a three piece band (resonator guitar, banjo/mandolin and drum kit with vocals) from the Fox Islands in Penobscot Bay, Maine". They are very tight and their drummer keeps the room warm with his high energy, silly behavior from rapping on drums to the full deal on a series of suitcases. NPR says"This trio uses vocal harmonies, uke, banjo, mandolin, suitcase and percussion to blend a mix of folk, rock, ragtime and bluegrass into their music. The track "043," off the 2006 album Piñata, features their brand of thumping percussion and energetic strings.

Along with making music, The Toughcats spend time in lobster fishing, carpentry, emergency medicine and other jobs. They have played live film scores for Bird Dog Productions and written music for Cecily Pingree's documentary film about designer Angela Adams. The Toughcats mix acting and movies into live performances, trying to always keep the audience on their toes."

NPR also has some mp3 files to listen to, too. The Phoenix is interesting too.

Pencil it in.

Delighted!

google makes me crazy!

I was googling and wikipedia searching for fun--some of my noteworthy relatives and ran into this lengthly discussion of my great, great paternal grandfather and mother (William Thaw and Eliza Burd Blair). I have always had bits and pieces of their story, the story of "the second wife" and the evil seed that sprang from the union with "that woman", Harry K. Thaw (murderer of Stanford White, husband to Evelyn Nesbit and all round kooky guy). Essentially, the OJ of the 1800s. Until my grandmother's last gasp, we were forbidden to have our pictures published (that includes weddings etc.) as an outcome of the press coverage of Harry's crime, trial and aftermath.

It all stems from Benjamin Thaw>>son of William Thaw and Eliza Burd Blair and brother to my great great grandmother, Mary Thaw (who married William Reed Thompson.--but the author fills in all the gaps.. Mary Thaw and William Reed Thompson had 5 daughters: Dorothea, Isabel, Helen, Mary and my grandmother, Jean. I met Mary and a tiny lady who lived at Sparkhill (on the Hudson)--never married and always slept with her two dogs, russian wolfhounds. All the daughters went to Vassar and proceeded to marry and settle either in Pittsburgh or on the East Coast. They spent their summers in Watch Hill, RI (at least my grandmother and Aunt Mary--for their entire lives). Their father, Mr Thompson died very young (when my grandmother was small). My grandmother was significantly younger than the other sisters (with a distance of over 8 years between her age and the next oldest). She had a sister in college when she was in elementary school.

so, friends and more particularly, relatives of mine...read on...this is goooooood stuff.

Photo is of William Thaw (paterfamilias).

Chokers: The 2007 Jimmies: Best of the local music scene

Ithaca Journal says (along with Jim Catalano):

#6 Overall
#1 Acoustic CD: "Chicken Chokers, “07” - "Chad Crumm and friends return to the studio for the first time since the 1980s and come out with this raucous collection of old-time tunes"

.....and, they are now on ITUNES! (along with a teensie little chicken done by yours truly!)(and lets not forget getting into 2 illustration shows!).