Spinning Plates.

Scherenschnitte 3, Q. Cassetti, 2011, pen and inkWild wrapping and drawing. All the plates are spinning. And, just as things start whomping up, my computer decides to go finicky in the email department. Jeez.

There are pubs to be corrected. Pubs to be laid out. I love the work these days—because production methods drive the design. So many publications I am working on these days are output to pdf or even (god forbid) word docs that are sent to individuals to output to their little pokey desk printers. Will our local offset printers become rarer and rarer with this type of work just being printed locally—and the idea of bleeds and delicate tints thrown out the window with the blunt tool of the cheap desk printer. Will excellent printing go the way of jobbing out typesetting (with all the kerning and proofing that the old typesetters used to do)? Is the graphic designer now just going to be the technology arbetor?

As you can see, I am bitten by the land of scherenschnitte…only my ink version of it. There are many miles in these pix, and they will evolve as my advent project in black and white—with maybe a half dozen of them in color. I like taking this up again as the images are a bit better designed…and I can bring animals and flora into the images to make it more mine. However, I love these Swiss trees, and want to imprint it on my brain and hand. Squirrels, raccoons, bear and deer. Leaping cats and daffodils. The little Swiss cottages need to change to Greek Revival farm houses with fences and chimneys. Someone commented on the Home Sweet Home images wanted to know why the windows were light versus dark… worth looking into. Maybe some musical instruments too?

I got 4 boxes out yesterday with another 3 filled, wrapped and addressed (ready to go). I dawdled with this stuff until around nine last night. I only need brown paper to get the other significant things out. And then, cards…and chez Camp presents. Need to get going. December is two and a half quick weeks. Yikes.

Cyber Monday with my Etsy stuff (we knocked 25% off everything) yielded someone buying a stack of tattoos. Jeez. I did mine with Etsy (something for Kitty and something for a resident of Camp Camp this summer). The dachshund card, however, is blowing out this year. We are selling multiple packs of cards at a clip. Also, big Cyber news, Fat quarters on Spoonflower is a great price (twofers) this week. Could be cool if I had a minute to spare. I want to make some Qillos pillows.

Delighted! Selected for American Illustration 30

Selected: American Illustration 30, Q. CassettiThis is a bigger deal than I had thought. This is what American Illustration 30 says about the competition:

Congratulations! Your work has been Selected to appear in the American Illustration 30 annual. On behalf of the entire jury, we thank you for your submission and support of American Illustration.
 
This year’s distinguished jury included Nicholas Blechman, The New York Times Book Review; Rachael Cole, Schwartz & Wade Books; Michael Ian Kaye, Mother New York; Todd Oldham, Todd Oldham Studio; D.W. Pine III, TIME; David Saylor, Scholastic Inc. and Dean Sebring, Worth.
 
From more than 7,000 pictures entered by over 1,100 illustrators, magazines, agencies, publishers and schools, the jury selected, by a majority vote or better, only 316 images to appear in the book and represent the best pictures from 2010. AI30 will be printed in full color and distributed worldwide in hardcover immediately after The Party, November 10, 2011 - our annual book launch event that brings the creative community together to celebrate the winners.

Delighted to say the least! and love the selection. You just never know!

Bright Skies

Dear Deer, Q. Cassetti, 2010, digital.It has been cold and rainy…a bit dreary. But here we are, on a Friday afternoon, and there is a beautiful, high blue sky with Maxfield Parrish clouds rising out of the brilliance. Can make a girl giddy.

I am going to morph back to being ink girl again. I am not charged up by this graphic stuff. I am intellectually, but emotionally, its not grabbing me between the ears…and after posting the Home Sweet Home image, I got all shivery about how much I love this technique and need to take it further. I am a bit concerned about the shows coming up for the next year. I have not been cranking the vector portraits recently, so my handful of show hopefuls are more limited as I have been stretching out a bit more as a decorative illustrator, and not as  the vector Queen that I have been in the past. I should get my eye back into that— freshening up my viewpoint, and building that book back up. Granted, I have some new images for the Hangar that could be submitted, but frankly, I am a bit concerned about not getting into the shows with the more diverse body of recent work. I did get some of the advent calendar work in American Illustration (a decorative approach) that was the hint that the Memento Mori work could take off (the willow skull got in American Illustration and Society of Illustrators (along with the traveling show to universities). So I should have some hope that the decorative stuff may possibly get recognition as well. It comes out of the same head and out of the same hand. Different technique..but still me. We’ll see.

Phone is ringing with new work. Some paying. A lot not paying. I got a wild bundle of “due immediately” work from the theatre (a quarter page, a small poster, a large poster, two banners, a playbill cover) and I whomped it out yesterday. Not much time to pfutz the details..but its all done and at an okay level. Another rushmo was a package for some flourbased mixes (a canister layout) that will link to the bread bakery in a way…so the need for a levelset was there. Albeit is was very quick—I am pleased with the general direction that is going too. And! Two pieces for Cornell is happening. And, a brand new something for Ithaca College too. Bizzzy me.

Alex is wild with school, training and hanging with the bros. There is a cookout/tailgate party post training today associated with the soccer game. Rob and Bruce are knocking off early to go to Watkins Glen for the antique/ vintage cars. Kitty news from Facebook reads:

Kitty Cassetti: dancing modern was absolutely intense. A semester filled with Kabuki, Ballet and Indian Dance are in the near future. I’m so excited!”

Kitty Cassetti The professor is this adorable little old lady who kind of threw us into the class first thing. It was pretty marvelous.

So, she is good…and loving it. Already has read a play for Theatre class. I need to go work on relaying out a brochure (miscommunication from the client). Ah well.

More later.

WYSIWYG

Cold, Dark Night, Q.Cassetti, 2010, pen and ink/ digitalI love the idea of WYSIWYG. Its a very "my lifetime" phrase. They did not say WYSIWYG in blackletter in church manuscripts from the scriptori, nor did they say WYSWYG  at the advent of handset type. What you see is what you get. Pretty much from my vantage point, a very NOW statement. What you see (right now) is what you get (right now). Not what you might see if you wait. Or what you will see when you get it...or the like. Its two now statements. Pretty much speaks to our culture, our nowness, our immediacy of on-demand everything from television to movies, to printing to food. Its all on demand..and its exactly what you see. No variations, no more thought than making it JIT (just in time), and predictable. Its a problem we have culturally, as many things you cannot see or if you see them, you may not get them. Or if you see them, they may not exist (such as movies such as Lord of the Rings or Avatar or even the hyper realistic games that Alex plays with blood and guts). 

There is so much behind WYSIWYG. A whole system and structure that is invisible and rarely even approached. You buy a loaf of bread at the store and what you see is what you get. A loaf of bread. Do you see if there is local flour there? Could you see if there are preservatives in it? Can you see if the people who make this bread are satisfied with their work? their lives? How did that loaf get from their ovens to your doorstep without being damaged or aged? Do we even think about these things? What are the ramifications of buying a loaf of bread made in your village versus one made in Cinncinnati by an enormous bakery? Do we see a change in our health directly? Does it better our neighbors versus someone elses neighbors? Does it teach us anything about our area? or local culture and expectations? I know I am ranting on about something (WYSIWYG) that  is really more about computers and not really having to learn about code and the like...which is fine by me-- but WYSIWYG is ingrained in the way we think and behave such that if we just started peeling it apart, think of the thoughts, ideas, and passions we could all inspire. Enough of this rambling.

Kids are skiing. It was gorgeous at Greek Peak. Plenty of snow and happy faces all around. We came back to do house projects. I made a "Church Supper Chicken Pie" and cinnamon bread ( both from the highly recommended (I am cooking my way through) The King Arthur Flour Baker's Companion: The All-Purpose Baking Cookbook I am working on some more of these Home Sweet Home pictures and thinking a lot of gingerbread houses and witches. I actually cracked open the brothers Grimm this morning and was pleased with what I saw....plenty to work on.