Angel, Q. Cassetti, 2010, digitalI wrote two entries yesterday. I lost two entries yesterday…so I am trying again and hoping that this entry will not get lost or go down the digital black hole that yesterday’s efforts so happily did. Sorry for the grousing.
Sunday’s trip to Cheryl Shaefer’s yarn sale was better than I could have even anticipated. It was totally in the Central New York experience of fruit stands and vegetable tables in the front yard. The garage and a side bay of the garage were open on Cheryl’s property, with a little “canning room” sized niche starting the grand tour of skeins upon skeins of colored, hand dyed fibers suspended from nails, and often 6-8 skeins deep. There was every gleaming color—some brights, some drabs—painted in gradients and blends, some complementary colors, some not—all the promise of scarves and jackets, socks and baby sweaters. There were two bays of all these fibers, all this future. Kitty and I frolicked in the wool, in the color, in the wonderful hand of the silk mixes, the mohair, the lovely washable superwash merino—trying to pick the skeins we wanted to do projects with. Kitty quickly settled on a bright bundle which when knit (as its almost halfway done) becomes a red fabric with colored flecks. I picked a range of sock wools (which is a wonderful thing I love) and a hank of “Elaine” in olive and khaki for a scarf that I may stripe with another, cooler green. When we went to check out, Cheryl, her husband and her design director were there with happy patter and editorial on the colors and skeins we had selected. There was a little basket filled with little folded pieces of paper. We were instructed to take one…which we did, unveiling our discount (55%) which made the shopping even more exciting. A younger member of the Schaefer clan was selling lemonade and brownies which the boys happily bought and devoured while we girls frittered away the time.
There is a possibility of doing a little branding work with Schaefer (which is something I have been thinking about for quite some time) as a trade, which could be very cool. I am meeting with them Thursday to see what happens. Interesting how things just sort of happen.
The hosta here at the lake are huge and full and fragrant. We have the front of the house planted (original plantings) solid with these yellow green plants which around this time of the year, pop open these enormous flowers, white easter lily sized blooms, which emit the most glorious, waxy scent in the spirit of lilies and gardenias. At dinner, in the cool humidity of the day, we are gifted this lovely smell, which only comes at this time, in this place for which I am always delighted and amazed. It is that time of the season.
Alex has started Cross Country training. He is all over it and able, this year, to articulate why it is he loves this. It is the running against oneself, but also it is the comraderie of his teammates…the spirit of individual by himself and individual as part of the larger group. Kitty is winding down. We get her to Hampshire by the first of September. She just got her classes and dorm assignments—so we will call with questions today to see if we are missing anything. Kitty is interestingly putting a lot of her people issues to rest in anticipation of the new future. I do not know if this is conscious, but it is fascinating to see her preparing for the next chapter in such a mature way. She is resolving old conflicts, talking to folks that have made her nuts, and setting her old relationships on new paths for the future. Now, (this is her mother speaking) if only she could focus on packing. But she will…just not much in advance of the move.
I am working as Alexander Girard these days. I made an angel yesterday in the spirit of the Nativity poster—but it became mine as I gave it a fraktur face and changed the hands/body a bit. I am fascinated with his approach and how he is very decorative but deliberate in his placement of frivolity. He lives in the world of negative and positive which is comfortable for me too…so I really need to let that go a bit. Girard also worked in a “making icons” way of work where each image was more of a single “potato” and not so much a storytelling process. It is more “here’s an angel, here’s a series of sunfaces, here’s aheart” driven by his love of type and folk art. Interestingly, his three dimensional work (his people, his nativity) is more narrative, but personally, I think he treated each figure the same iconic way—but allowing for the viewer/owner of these figures to make narratives by the placement and use of these forms. Girard got down to the basic design elements of color, type, form. He revelled in them that the simplest use was often his final resolution (ie the colored planes for Braniff). And in that pure use of these design elements, the sheer confidence in saying that it was okay for a plane to be lavender, it was an entirely appropriate and successful solution. So Girard’s charge to me today, is to go forth, be simple and bold, and love what you do and what you depict. And so it goes.
Today is clean up and make plans. Alex works. Kitty doesnt. Radio the Ape, a band comprised of Kitty and Alex’s friends play at the Rongo as a farewell concert. Rob has a village board meeting. And I have time for me….I think Alexander Girard and I have a date.
) has a lovely new book just on the cutouts that looks wonderful. Its too new to get used, and its $125. a casebound set, so I will wait. It was fun to pull images and immerse myself in the bright palette and free expression Matisse used. An old high school friend mentioned Matisse’s methodology with his cut outs (gouaches decoupes). And yes, as he aged this was his process (from 
