Rare small size horse weathervane with applied mane by J. Howard, Waltham, Mass., circa 1865. Cast zinc and copper, retaining an old gold painted surface. from fredgiampietro.com


Want to put a man on a fraktur horse and am looking about in the world of folk art for a nice reference on horses. Look at this beauty. Horses exist in Fraktur, but in a very limited way. The "Flying Horse" Carousel in Watch Hill, Rhode Island references the weathervanes as seen above. So, I think I have a model for this image. The lady above is still in coloring...but close.

First day of school was excellent. The classes were better than expected. Nice to be back with friends and teachers we love. And, the lovely low humidity cool weather delights. Rob cancelled his travel due to flu like symptoms. Mr. Hair is cutting down trees and grinding up the piles of brush that have accumulated over the summer. Lovely. Work continues. Christmas on the horizon. Oy.

A Labor Day Gumdrop!



A break from Fraktur. The images above are screen captures from the most inspired little film I saw last night. It is Nina Paley's autobiographical "Sita Sings the Blues", an interwoven story with interwoven techniques and voices (many very cute and funny) about a woman's break up with her husband after he is sent to India to pursue his career...and the story of Sita and Rama with a thick overlay of this boop boop da doop love sing/songs from Annette Hanshaw. It is a must see for all of my illustration friends as it charms with color, wit and the clever use of cut paper, shadow puppets (as the narrators), stock art and of course the drawn media. It makes a very strong vote for the world of vector and how lovely it can be. Plus, this is a rich and inspiring slice for all of us. The under 20 set here went wild. It is an inspired gumdrop personal to Nina Paley, a real star and creative who is the writer, creator, animator of this singular gem...We should expect to see more from this thoughtful, fun, visual artists...and I hope soon. You all know how I feel about Indian art, and this was such a unexpected gift delivered to us in a mention from the tuned in Mr. David Lucas, designer and astute observer of the world. Thank you David for this wonder! We are all beneficiaries of your suggestion!

If you go a bit deeper into the copyright issues surrounding this work which I will allow Wikipedia to explain clearly:

In the 1920s Annette Hanshaw recorded the songs that director Paley used in the film. These recordings were protected by state commerce and business laws passed at the time in the absence of applicable Federal laws and were never truly "public domain".[12] In addition, the musical composition itself, including aspects such as the lyrics to the songs, the musical notation, and products derived from using those things, is still under copyright.[13] In the case of this film, the syncing of the recording with the movie is the infringing act.
Without a distributor, Nina Paley was unable to pay the approximately $220,000 that the copyright holders originally demanded. Eventually, a fee of $50,000 was negotiated. Paley took out a loan to license the music in early 2009.[1]

Unorthodox distribution
Due to terms of the music license, one limited DVD pressing of 4,999 copies will be printed. The film was released for free download starting in early March, 2009 "at all resolutions, including broadcast-quality, HD, and film-quality image sequences", licensed under the Creative Commons Attribution-Share-alike 3.0 Unported license.[14] The freely downloaded files will count as "promotional copies" and will thus be exempt from payments to the copyright holders of the songs.[1]


The full film can also be viewed in low-resolution streaming video on the web site for WNET, a PBS member station in New York City. WNET broadcast the film on March 7, 2009.
Nina Paley plans to make money through voluntary payments, ancillary products, sponsorships, voluntary payments from public screenings, the aforementioned limited DVD sales, and possibly other methods.[1]
A cornerstone of the distribution model is the "creator-endorsed" logo, developed by Nina Paley in cooperation with QuestionCopyright.org. Although anyone is free to distribute the film, distributors who do so while giving a part of the profits to the artist can get the artist's endorsement and use the "creator-endorsed" logo on their promotional materials.[15][16]

so you can download the film, watch it on YouTube
Not much labor for Labor Day. We are wrapping up the perishable foods and getting the wheels in motion for school. Rob is off to France, Amsterdam and Germany (a ten day trip) starting Wednesday. Alex is having a birthday "Sausage Fest" complete with tee shirts and games next Saturday. So, things are likely to be a bit more Tburg centric until R. comes back.

Catching up on a week


Quick scan of a piece in process. There is quite a bit of calligraphic illustration and lettering in the world of Fraktur. So, picking up my pen and pretending I am a calligrapher, this lion inspired piece is a beginning. I like what is happening with the line work. But, I wont bore you today with my blabbing on about my love of Fraktur...and what I keep learning. But, its not going away for a while, so not to worry.

I got a notice from Creative Quarterly 17 to find out that I got 3 of my one hour portraits and 3 valentines into the next publication. One of the portraits is a "Merit Winner" and the others all runners up...which according to Peg N. may get into the publication along with a posting on the internet. Creative Quarterly 15 posts the pieces I got into the pub...so its pretty nice and exciting. My Society of Illustrators LA submissions are in (09/30 is the close date)--and I am joining this group to support their existence along with some of the nice benefits they offer. Additionally, Jim O'Brien, a former SU and Hartford student (now, co alumni) is shepherding a nice show on digital art that he has invited me to be in --with sequential work on how we build our digital images. I am also pleased to say that I have two pieces in a digital article in The Artist's Magazine, written by my fellow student at Hartford, Ursula Roma.

Am rather worn out from the week. Monday we travelled in the a.m. to get to a tour/info session at Arcadia University in Glenside (a few stops in the suburbs of Philadelphia). Lovely campus, great programs, SMALLLLL, beautiful facilities, global focus (particularly study abroad) but very student focused. Nothing is impossible. Kitty was enchanted. And Oh, did I mention their Castle? The campus centers around a real castle built by a sugar baron who was exiled from Philadelphia--and became Arcadia when Beaver College (in W. PA burned down and moved to this new location). Nice and focused students. We spent the night on Penns Landing with the trip home (on Alex's birthday) planned for a brief a.m. on South Street and then home... However, it never works out quite that way. We had cheesesteaks for a 10:30 a.m.. breakfast (to Alex's delight....we somehow have created this odd tradition when we are on the road to have odd things (If we want to) for breakfast like sushi or now, cheesesteaks.) And, no one seems to think its odd. Matter of fact, I think this is part of the fun of being on the road. The day was perfect and we jumped in the car--doing a bit of rubbernecking down Market Street and then up Broad. Rob managed to find Temple and wind our way in front of a brand new building with lots of interesting, engaged students perched on the grass enjoying the day. No signage...but we found the new Tyler School of Art...and then, we found our way inside the building...the tour, and from no clear winner...Temple's Tyler School of Art spoke to all of us from the amazing energy in this new facility, to the amazing core curriculum to the actual rooms, studios, facilities. It was all about immersing yourself in art, in craft, in drawing and the pursuit of an idea and making it. We are all stunned and enchanted. Top of the list, and the hot truck directly outside the front door sells crepe "just like in France, Mom" as our excited, soon to be applicant, exclaimed!

We got home to Tburg around 8 with pizza and iced cream cake from Byrne Dairy for the birthday boy. We had a birthday brunch for him today for his grandparents and next Saturday we host " Sausage Fest 2009" for the XC boys (with sausage, kubb, doo ball and the like. We also have teeshirts coming to celebrate the event to A's pleasure. He has been a saint...and is truly a wonderful guy. He fully understands his sister (and his mom) and has been a levelset for all of us. He is now playing golf post Brunch...versus the study hall that Kitty and I have going here at the lake. Rob is working this p.m. as manager on duty at CMoG. We always have at least one bump into a holiday weekend...with the MOD job.

Wednesday, it was up and early again with a 2 hr drive to meet the kind and generous Chad Grohman and his colleague, Bob Dorsey at RIT to have Kitty get a gander at the Medical Illustration and Illustration programs. RIT reminded both Rob and me of our time at CMU with all sorts of disciplines all comingled in this interesting building. RIT is on the list--not at the top like Tyler...but def there. Chad and Bob were wonderful...showing us everyting and spending really great time with Kitty looking at her work and giving her good insight and inspiration. I think she has taking a lot in in the last week...and we are seeing change and evolution as we progress. Should be an interesting school year we are pushing into.

Thursday and Friday blew by--with a lot of office work and jobs. And now we are into the weekend at the lake--with chores yesterday to our brunch today. Nothing now...(phew) so I may give myself a break and read something.

More later. My head doesnt quite want to stay upright.

More Wonderfish from the Free Library of Philadelphia


Courtesy of the Free Library of Philadelphia
Title:
In this fish’s name (In dieses Fisches Namen)
Category: Wonderfish (Wunderfisch)
Creators:
Decorator: Anonymous
Scrivener: Anonymous
State/Province: [Pennsylvania]
Note: Based on stylistic characteristics
Creation Date: ca. 1820 - ca. 1840
In this fish’s name I now begin; you people all together, stand by me, hear about this great miracle that happened this year on water and on land. This is certainly true. 2. First I will describe Geneva, the beautiful city, where on the 12th of February a fish was caught by man. 3. Three ells high, it was, and also five ells long. Everyone wondered who looked at it. The fish had a true human head. Everyone was shocked who looked at the fish.
A B C D E F G H I K L M N O P Q R S T T U V W X Y Z tz sch ft
a a b b c d e f ft g h i j k l m n o p q r s st s t u v w x y z tz ck sch fi fl ft ß a

Ein grosser Wunderfisch : A meandering in Fraktur


I ran into a very rich cache of fraktur at the Free Library of Philadelphia site. What I learned was the types of fraktur went far beyond my original understanding with categories from Birth, Marriage and Death Certificates, to listing of one's children, to Letters from Heaven to letters to your beloved. There are New Years Cards, Bookmarks and bookplates (as school rewards), illuminated songbooks and hymnals, Baptismal Prayers, Death Memorials, to illuminated writing samples and books. There is even a type of illlustration referred to as a Spiritual Labyrinth (will show below) and the most curious(and remarkable, the big "Wonderfish"). Say no more. I am ssooooo on this train! Spiritual labyrinths, wonderful magical fish, Letters from heaven...Bring it on...This is a remarkable vein.

to learn more on this topic, please visit the Free Library of Philadelphia.

The Free Library does one better in providing a lovely page of links (the better to study more!)>>

Courtesy of the Free Library of Philadelphia
A big Wonderfish (Ein grosser Wunderfisch)
Category: Wonderfish (Wunderfisch)
Decorator: Anonymous
Scrivener: Anonymous
State/Province: [Pennsylvania]
Note: Based on stylistic characteristics
Creation Date: ca. 1820 - ca. 1840

From the translation of the copy:
A big wonder fish which was caught with effort near Geneva, the beautiful city. The same had a man’s countenance and on his head a crown with crosses; on his body a sword, two war flags, a cannon, and three rifles as well as three skulls. As this drawing shows in detail the same was three ells high and also five ells long, as can be seen in the following hymn with more. Such a miraculous sign on the 12th of February A.D. 1740.
In this fish’s name I now begin; you people all together, who stand by me quietly, hear: this great miracle happened this year on water and on land. This is certainly true. First I will describe Geneva, the beautiful city, where on the 12th of February a fish was caught by man in the sea. It was felt it for five whole days; it was caught with great effort. Three ells high, it was, and also five ells long. Everyone wondered who looked at it. The fish had a true human head. Everyone was amazed who viewed the fish. He has feet like the swans, on the head a crown, a sword, two war flags, as can be seen. Three skulls with it, there are seen down there. What can be the meaning? Who knows the fish’s miracle? Many people came together to view the fish. On the sea there came a wonderful man, who was adorned on his body exactly like a fish with big and wide scales. He carried a simple sword. The man said to the people [continued on reverse]


courtesy of the Free Library of Philadelphia
Valentine
Love Letter (Liebesbrief)
Decorator: Anonymous
Scrivener: Anonymous
Creation Place:
State/Province: [Pennsylvania]
Note: Based on design characteristics
Creation Date: ca. 1800
Hand-drawn; hand-colored; hand-lettered. This document is a square sheet of paper that is folded into a star. The text and drawings are on both sides of the sheet. The areas that are visible on the folded paper are decorated with text, hearts, flowers and a small cross. One of the hearts is pierced by an arrow. The measurements refer to the unfolded paper. For records of the unfolded front and reverse, see FLP 753 and FLP 753v.
Transcription:
1 \ My Dearest Dear and blest divine \ I’ve pictured here your heart and mine.
2 \ But Cupid with her Cruel dart \ Has deeply pierced my tender heart
3 \ And has between us set Across \ Which makes me to lament my loss
4 \ But I’m in hopes when that is gone \ That both our hearts will be in one

Say no more!

courtesy of the Free Library of Philadelphia
Which is written in Golden Letters (Welcher in güldnen Buchstaben geschrieben)
Letter from Heaven (Himmelsbrief)
Decorator: Anonymous
Printer/Publisher: [John S. Dreisbach (1825-1867)]
Town/Township: Kreidersville or Bath
County: Northampton
State/Province: Pennsylvania
Note: Based on location of printshop
Creation Date: ca. 1850

Oh Yes! There is more interesting stuff than what originally meets the eye. Himmelsbriefs , religious documents are believed to have been written by God or another divine being. It is often reported that these documents miraculously fell from the sky into a recipient’s hands. Letters from Heaven often claimed to give magical protection to their possessors and blessings to those who published them, while those who disbelieved their claims were promised divine punishment.

Bring it on!


courtesy of the Free Library of Philadelphia
Family Record of Daniel and Sarah Sexton
Family Record (Familienregister)
Decorator: Anonymous
Scrivener: Anonymous
County: [Monmouth]
State/Province: [New Jersey]
Note: Based on genealogical research
Creation Date: ca. 1765
"Be faithful unto Death & the Lord Will Give you a Crown of Life \ "

courtesy of the Free Library of Philadelphia
Death Memorial (Denkmal)
Scrivener: Anonymous ca 1818

courtesy of the Free Library of Philadelphia
Reward of Merit (Belohnung)
Decorator: Anonymous ca. 1820 - ca. 1840
Creation Place: State/Province: [Pennsylvania]
Note: Based on design characteristics

IF: Magnify


Basis for another add to the Fraktur grouping. I was told quite pointedly by an individual who said these were wrong(?) and that "no one would be interested in these, or interested in buying these". I am in a study phase, so this really doesnt matter. I am making pictures, thats the point. Only the point. Make enough, there is traction. Study and action magnifies the idea, the hand, the image. Work magnifies understanding.

whirling dervish


Highly productive yesterday. Made an appt. with a friend who is a buyer at the Museum who has her finger on the pulse of what folks are buying and pricepoint at the GlassMarket, a huge glass emporium at the Museum of Glass. Plans are to develop a series of products (illustration based) to be sandblasted on stock blanks (a la Steuben) or on glass hurricane candle enclosures, bottles etc. and do limited run products to start with. Focused, illustration base, potential for breaking even/profit....certainly worth the toe in the water. Also have a few calls out to see who can help me with this on the production side. People are out there looking for stuff to do...so hey, might as well tap the resources.

Also contacted Boxcar Press (Syracuse), Pressed 55 (Philadelphia) and our little Pioneer Printing (in Interlaken) to have them quote some basic jobs in letterpress. I am learning about how this process works (do you want to buy the plate from one company and give to another? or buy the plate and use your own press (not where I want to go), or quote the entire job?)> I am curious about how much black density they can hold (have sent them a valentine in black for reference) and now do we specify depth of the imprint. More today on that. Surprisingly, I found that Briar Press (on my resource list) was a phenomenal source for boutique and not so boutique letterpress shops. More to learn on that front. In the same vein, I need to relink up with the independant engravers that are local (Meaning Buffalo to Albany and points south) as this is another instrument I want to be able to play in the future. Have done engraving jobs for business cards and the like, but how bout a gorgeous spot illustration engraved or embossed with 28kt gold leaf? Ooooooh.

I started a mini business plan for a music project I have been enlisted to help out with and used Google Docs for the writing. Nice! Not only was I working on the document, but so was the other author and Erich all at the same time--a bit disconcerting as it felt and seemed like there were ghosts in the machine as the cursor jumped around unbidden, filling in paragraphs, correcting spelling, adding names--an electronic ouiji board. The plan has become more focused with prices and detail that many piece could be peeled out of the entirety. However, Great tool, easy to use and it lives in the electronic cloud so its accessible everywhere and the aspect of collaborative projects are just that much easier. Kitty has even done slide shows on it to great success.

I am joining the Society of Illustrators LA as it will allow me to save a little dough on the entry fees, allow me some promotional space on their site and to support illustration in another venue. Need to finalize the paperwork and the check for the entry fees and for the membership today.

Also, hopefully Don Hair, the tree man, will arrive for a walk down Camp Street to talk about the dead trees by the side of the road and how he can help us take them down and possibly turn them into firewood. There are three enormous piles of sticks, wood, debris that need to be chipped (thanks to Kitty, Alex and Nigel's huge efforts around clearing miles of privet in various forms of development, tree limbing up, and the picking up of wood in all ranges of sizes). So, Don has a lot of topline work to do before we get into the more indepth stuff that is so worth doing. But, just maintaining the topline is good as it proves the import when we get these torrential downpours with wind shears and in the last snow of the season which is warm enough to really pile on the trees and wires and break them. Now when we have these sorts of natural events, we get a few branches...but not a few trees. All good.

So, moving the needle a bit. We are doing a round trip to a college on Friday and then Mon>Wed another go round of schools. Need to wrap my head around that too.

The fair has opened in Tburg. Last night was the Demolition Derby prelims and Thursday is the local music night which we all have penciled in. Hank Roberts and Hubcap are also playing at the Pourhouse Thursday p.m.. The choices are wide and varied. Trumansburg Farmer's Market tonight--so we'll see if we can cruise by.

More later

thoughts and ruminations.



Fraktur on the brain. Rob is goading me nicely to get going in figuring out these products for the Museum of Glass --and to get the team in place, the thinking in place and get going. He is right. Plus, it gives me some venues to push the illustration that are not traditional, are about me being an illustrator/designer, is about an alternative stream of income and could be a beneficial and fun thing to do. So where is the downside? A tad bit of risk...but nothing inconceivable.

The pix above is the second Fraktur inspired picture. I decided to get back into coloring these things just to see where it could go. So, this is where it is (not done) today...with more work tomorrow. My intent is to try to infuse more color in the work and though its not bad, to not keep the black work in a single color in every iteration. Bunny Carter cited my Indian Tiger as the only full color piece in my thesis which I thought was interesting. So, to that insight, I credit Bunny with the push (not even a tiny shove) to think more about the color, their relationships and how the image begins to change with more color added and not frames that are filled with color and the line work all the same. Seems richer...more dimensional. I think this may be criteria for the color for this next round of valentines. What do you think?

I am going to contact Boxcar Press (a Syracuse Letterpress shop) to get prices on one and two color letterpress work as I am thinking of developing a series of different Birth Certificates and Marriage Certificates (maybe later, a Bar /Bas Mitzva, a Confirmation one) to be illustrated and designed for the user to have a calligrapher (or me) fill in the name/etc. and be able to sell them through high end stationery and/or gift shops. With that may come Birth announcements, Marriage stationery/thank yous that match. Plus, with an affordable letterpress option, creating condolence cards (I have had requests) from some of the Memento Mori work and selling sets of 10 with (lined?) envelopes and or as one off.

Just got back from the Oral Surgeon's office in Corning with two high school near future patients. It was a great consultation with pictures/xrays, a full disclosure of process and medications, time frame and process. Now, all we need to do is schedule it.

So, must go...now. Hotdogs on the grill await.

Sunday 08.23.09

Spent the morning chatting with David, our guest...with him painting a landscape and me fiddling around with my pens. We looked at the work of third generation puppeteer and performance artist, Basil Twist (on youtube>>). Twist is imaginative with his use of screens, film, projection, curtains (the stagemanship) along with his puppets and aspect of his work that might fit into performance (active costumes that help the artist to go to another place. The first film is of his performance, Dogugaeshi,commissioned by the Japan Society and is beautifully described (in the link) by the New York Times.

Twist joined another performance artist who David has been following for years since David claims to have seen in a window of the New York Fiorucci store, Joey Arias.

Arias and Twist presented "Arias with a Twist" off Broadway to David's delight...with this collaboration moving to Los Angeles soon. Arias is an artist who can span gender, age and go from nice to naughty in a blink of an eye. Marvelously funny, poignant and quite a presence, Arias was a featured performer with the Cirque du Soleil presentation, Zoomanity. David made the pilgrimage to Los Vegas for his fiftieth bday to see this Cirque show and take in the LV sights. We looked at YouTube clips on both Twist and Arias which was fun and very inspiring as well.

We visited Petrune, a great vintage clothing store on the Ithaca Commons as well as my new favorite antiques store next to the State Theatre, Blue Bird Antiques. Jenny MacGuire, the owner and buyer has similar interests to mine and always captures the imagination from Odd Fellow and Mason stuff, to circus posters, religious stuff, primitive ephemera to taxidermy. Doesnt get much better. Jenny mentioned that we may have a monthly antiques auction in little ole Tburg at the VFW. This would be a real
ly good add...and what with the activities around the old/new Rongo, things are looking up! (not that they ever looked down, but more in the case of T burg is better).

We attended the Ithaca Sufferjets Bout with Wilmington and left at halftime as we were tired and hungry. Shady got a little walk in Cass Park discovering the dog drinking fountain. We had a late dinner and then to sleep. This morning I used up the two soft bunches of bananas making banana bread (double order) and a banana cake from Joy of Cooking. I chopped up all the left over chicken from this week and made a rather lavish chicken salad (with new and left over ingredients and the pepper bacon we had at breakfast). So, cooking is done and we are planning a later afternoon showing of Ponyo at Cinemopolis. We will see what happens from there.

Saturday a.m.


Yesterday was a hot one with a wonderful dip in the lake. Kitty and Alex helped a friend pick, wash and pickle green beans for the better part of the morning with my running the shuttle service from here to there. Work was wonderfully quiet with an opportunity to start really thinking about holiday card illustration and poke a bit with looking at Fraktur, images of beans and peas (a harvest image/border). Am working with watering cans for now...and garden glove/seedlings later.

David C.is working on dog stains on the rugs in the house with some amazing enzyme cleaner that is really working, but with the damp rags pulling the awfulness combined with the hot humidity that yesterday had--it raised a stink that was a bit pungent that had me running for the windows for a wiff on a regular basis.

We had a great dinner at the Stonecat on Seneca Lake. I redrew their logotype (which looks very good and strong)--and I am excited about moving the needle with their packaging and image development. We heard that the teeshirts really have been moving for them--(second order this summer) which really floats my boat. Yay. Now for a new website!

swirling in ideas


Flower paintings, Ambrosius Bosschaert (1573-1621) a Flemish-dutch painter. Note: a Pila sp. shell is situated at the right corner.
So the fiddling with the frame and a reverse flower thing has spurred me to look at Ambrosius Bosschaert's paintings of flowers and bugs and the promise of the season that these blown out florals make. I am liking making these borders and need something for them to border or better, once on track, have the borders match the subject and vice versa. But for now, I am amused, researching and not too serious about anything illustrative. Bosschaert's paintings are simple compositionally, simple forms and yet they speak to me of lush summers and springs, the wealth of nature and for the dutch, the wealth generated by their trade in tulip bulbs. So, that said, have that plate and interest spinning.

Additionally, I am reading up on Fraktur. Wikipedia says:

Fraktur is both a style of lettering and a highly artistic and elaborate illuminated folk art created by the Pennsylvania Dutch (also known as Pennsylvania Deitsch or Pennsylvanian German). Most Fraktur were created between 1740 and 1860.

Fraktur drawings were executed in ink and/or watercolors and are found in a wide variety of forms: the Vorschriften (writing samples), the Taufscheine (birth and baptismal certificates), marriage and house blessings, book plates, and floral and figurative scenes. The earlier Fraktur were executed entirely by hand, while printed text became increasingly common in later examples. Common artistic motifs in Fraktur include birds, hearts, and tulips, as well as blackletter and italic calligraphy.

Today, many major American museums, including the Metropolitan Museum of Art and the Philadelphia Museum of Art have Fraktur in their collection. Important Fraktur have been sold by major American auction houses and antique dealers for prices in excess of $100,000. The definitive text on Fraktur is widely considered to be The Fraktur-Writings or Illuminated Manuscripts of the Pennsylvania Germans, written by Dr. Donald A. Shelley and published by the Pennsylvania German Society in 1961. In late 2004, part of Dr. Shelley's Fraktur collection was sold at public auction in Pennsylvania for $897,833.

Interesting time period, no? Sort of overlying the early American gravemarkers you all know I love--spanning through the writings of Jane Austen and like writers, through the civil war. So, its pre Victorian and then at the end promises that time. However, on the early side, this is similar imagery to that of the early funerary art. There is a great website Fraktur Web that explores the known Fraktur illustrators and shows how one informed or taught the other in this very limited geographical area. Additionally, this site details the types of Fraktur work that was created. Simply put, Fraktur had a use and a place to note and commemorate things in people's lives. Fraktur was used to embellish/design / detail hymnals, bookplates (for awards of merit); religious broadsides, house blessings (Haus-segen) and purely pictorial works all received the fraktur treatment. As early as 1772, the Ephrata Cloister brother and sister calligraphers were turning out the “Goldene ABC,” an inspirational work. Iluminated birth and baptismal certificates are the most numerous fraktur (Taufschein Fraktur). The other, Vorschrift fraktur were "best examples certainly are the most inspired marriage of writing and illumination within this art form. The fraktur Vorschrift is a model for writing exercises often drawn by schoolteachers and particularly popular among Mennonites and Schwenkfelders. Consisting of Biblical verses or hymns, they were used in the parochial schools that pre-dated the founding".

These symmetrical illustrations fascinate me as they are part of a culture of a small group of people, illustrated by known calligraphic illustrators or illustrative calligraphers..creating pieces that were noteworthy as images but that were significant in recognizing life's progression and the recognition of those key moments in a graphic way. When I was younger, my mother had found these printed marriage certificates that were rendered in a fraktur manner that she would have me ink in the names in blackletter to match the spirit of the certificate. I am thinking that there may be a place to develop some illustrative marriage and birth certificates in the same manner for sale of my own work (inspired by the Pennsylvania Germans or by any other whimsical birth or marriage images that strike me). These could be letterpressed into rich, all cotton paper and packaged in a beautiful way. This is a saleable idea...and will allow me to explore this form with a few goals in place.

Today--more pushing of the teenagers. More work and a guest arriving for a two night stay. Alex is love/hating the preseason crosscountry, but there is talk he may be a varsity runner. We got everyone's schedules worked out with Alex getting a roster of great teachers and his two top picks--guitar lessons and Music Theory. We swapped out 2 of the four AP classes for better/more engaged teachers for Kitty--with English being public speaking and Shakespeare...and the government class taught by a spitfire who has opinions and isnt afraid of dragging his class into conversations. It feels like this is all very positive.