Greenman 8, Q. Cassetti, 2011, pen and inkIts been a quiet weekend rolling into a very busy and productive week. We had some folks for dinner (Alex and Jacob’s friends and our friend, Bruce). We did a little bit of this and a little bit of that. I slept, read terribly trashy books and chilled. I am surprised how tired I had been, so I got a little spring in my step along with some general laundry doing and little cooking. I had the hope of blueberry picking and maybe raspberries too, but the pillow beckoned and other planes of fun filled with steam punkery won.
Love the Steam Punk thing. Love the fusion of old technology with advanced biology. The fusion of the world of Dinotopia (James Gurney) along with that of Charles Dickens and all the fingers and threads that draw them together. Fever Crumb by Philip Reeve is a wonderful example of this sort of book. The next, Leviathan, by Scott Westerfeldl, pits the Darwinists against the Klinks (those mechanically driven) and fuse it with the socio-political environment of Europe prior to World War 1. Trashy. Yes. Brain absorbing. Yes. A mental vacation. Absolutely.
Kitty worked. Alex chilled until Sunday when he went over to Geneva to stay and visit with a dear friend and his family (who he adores).
Tonight, I need to leave ON TIME as we are going to the Finger Lakes Community College’s outdoor concert space (CMAC) to see Wiz Khalifa and Girl Talk. I love Greg Gillis, Pittsburgher and Girl Talk( from the CMAC website):
Celebrating 10-plus years of sample-obsessed production and relentless touring, Gregg Gillis returns with All Day, his fifth album as Girl Talk, and his most epic, densely layered, and meticulously composed musical statement to date. Continuing the saga from the previously acclaimed albums, Night Ripper and Feed The Animals, Gillis lays down a more diverse range of samples to unfold a larger dynamic between slower transitions and extreme cut-ups. With the grand intent of creating the most insane and complex “pop collage” album ever heard, large catalogs of both blatantly appropriated melodies and blasts of unrecognizable fragments were assembled for the ultimate Girl Talk record (clocking in at 71 minutes and 372 samples).
Since the release of Feed The Animals, things have flourished for Girl Talk. He’s played almost 300 shows and hardly taken a full week off from hitting the road. He’s playing even larger venues and making even more of a spectacle—he’s employed a small crew of toilet paper launching stage hands, who also propel confetti, balloons, and inflate oddly chosen props into the audience. For the New Year’s Eve show to ring in 2010, a team was hired to build a life-size house, with attention to fine details, on the stage at Chicago’s Congress Theatre. Described as the craziest house party ever, Girl Talk continues to please live audiences as the mass of sweaty bodies at his shows continually grows. Touring highlights from the last couple of years include the Vancouver Olympics, large festivals such as Coachella, Austin City Limits, Bonnaroo, Lollapalooza, V-Fest, Sasquatch, Rothbury, Monolith, Planeta Terra, and trips to Australia, Japan, South America, Europe, and Mexico.
Earlier this year, Girl Talk finally took a break from touring, festival dates, and college shows, in order to create an album that is being released immediately after its completion. While posting the album as a free download on the Illegal Art label’s site allows All Day to reach his fanbase quickly and with minimal cost, Gillis spent more time on this album than any previous release and considers it the most fully realized and evolved manifestation of the Girl Talk aesthetic.
More later.